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heracliteanfire:

Hans Kalmsteiner, postcard 305. ‘In 1907, the Wiener Werkstätte began publishing a numbered series of postcards, which would ultimately include nearly 1,000 cards.’ (via Twenty Postcards of the Wiener Werkstätte - 50 Watts)

heracliteanfire:

Hans Kalmsteiner, postcard 305. ‘In 1907, the Wiener Werkstätte began publishing a numbered series of postcards, which would ultimately include nearly 1,000 cards.’ (via Twenty Postcards of the Wiener Werkstätte - 50 Watts)

heracliteanfire:

Moriz Jung, postcard 96. ‘In 1907, the Wiener Werkstätte began publishing a numbered series of postcards, which would ultimately include nearly 1,000 cards.’ (via Twenty Postcards of the Wiener Werkstätte - 50 Watts)

heracliteanfire:

Moriz Jung, postcard 96. ‘In 1907, the Wiener Werkstätte began publishing a numbered series of postcards, which would ultimately include nearly 1,000 cards.’ (via Twenty Postcards of the Wiener Werkstätte - 50 Watts)

heracliteanfire:

Moriz Jung, postcard 532. ‘In 1907, the Wiener Werkstätte began publishing a numbered series of postcards, which would ultimately include nearly 1,000 cards.’ (via Twenty Postcards of the Wiener Werkstätte - 50 Watts)

heracliteanfire:

Moriz Jung, postcard 532. ‘In 1907, the Wiener Werkstätte began publishing a numbered series of postcards, which would ultimately include nearly 1,000 cards.’ (via Twenty Postcards of the Wiener Werkstätte - 50 Watts)

jessiemonster:

ianbrooks:

Time Kills All Gods by AJ Fosik

Fosik’s surreal animal head totems make me envision chemically-induced meditations in the desert where one communes with gods who were never meant to be freed from their ancient stone trappings. I know the members of Mastodon must have been thinking the same thing (or perhaps already partaking in said chemical-inducedness), because they commissioned Fosik’s art for their latest album, “The Hunter”:

Artist: flickr / website

(via: hifructose)

♥ ♥ ♥ ♥ ♥ ♥ best fuckin show!

heracliteanfire:

London’s Tramways to Central London, Harold McCready, 1930 (via Creative Review - Mind The Map)

heracliteanfire:

London’s Tramways to Central London, Harold McCready, 1930 (via Creative Review - Mind The Map)

tuesday-johnson:

ca. 1850, [daguerreotype portrait of a carpenter/wood worker posed with tools]
via the Daguerreian Society, Leonard A. Walle Collection

tuesday-johnson:

ca. 1850, [daguerreotype portrait of a carpenter/wood worker posed with tools]

via the Daguerreian Society, Leonard A. Walle Collection

tuesday-johnson:

ca. 1850’s, [daguerreotype portrait of Indian Chief Maungwudaus, Upper Canada], Donald McDonnell
via the Nelson-Atkins Museum of Art, Photographic Collections

tuesday-johnson:

ca. 1850’s, [daguerreotype portrait of Indian Chief Maungwudaus, Upper Canada], Donald McDonnell

via the Nelson-Atkins Museum of Art, Photographic Collections

jessiemonster:

♥________♥ sweet….

unrealaorist:

dwarf japanese flying squirrels

Walt Whitman, ‘Leaves of Grass’

gingerfields:

You have not known what you are;

you have slumber’d upon yourself all your life,

Your eyelids have been the same as closed most of the time,

What you have done returns already in mockeries,

The mockeries are not you,

Underneath them and within them I see you lurk,

I pursue you where none else has pursued you… 


heracliteanfire:

Hans Kalmsteiner, postcard 305. ‘In 1907, the Wiener Werkstätte began publishing a numbered series of postcards, which would ultimately include nearly 1,000 cards.’ (via Twenty Postcards of the Wiener Werkstätte - 50 Watts)

heracliteanfire:

Hans Kalmsteiner, postcard 305. ‘In 1907, the Wiener Werkstätte began publishing a numbered series of postcards, which would ultimately include nearly 1,000 cards.’ (via Twenty Postcards of the Wiener Werkstätte - 50 Watts)

heracliteanfire:

Moriz Jung, postcard 96. ‘In 1907, the Wiener Werkstätte began publishing a numbered series of postcards, which would ultimately include nearly 1,000 cards.’ (via Twenty Postcards of the Wiener Werkstätte - 50 Watts)

heracliteanfire:

Moriz Jung, postcard 96. ‘In 1907, the Wiener Werkstätte began publishing a numbered series of postcards, which would ultimately include nearly 1,000 cards.’ (via Twenty Postcards of the Wiener Werkstätte - 50 Watts)

heracliteanfire:

Moriz Jung, postcard 532. ‘In 1907, the Wiener Werkstätte began publishing a numbered series of postcards, which would ultimately include nearly 1,000 cards.’ (via Twenty Postcards of the Wiener Werkstätte - 50 Watts)

heracliteanfire:

Moriz Jung, postcard 532. ‘In 1907, the Wiener Werkstätte began publishing a numbered series of postcards, which would ultimately include nearly 1,000 cards.’ (via Twenty Postcards of the Wiener Werkstätte - 50 Watts)

jessiemonster:

ianbrooks:

Time Kills All Gods by AJ Fosik

Fosik’s surreal animal head totems make me envision chemically-induced meditations in the desert where one communes with gods who were never meant to be freed from their ancient stone trappings. I know the members of Mastodon must have been thinking the same thing (or perhaps already partaking in said chemical-inducedness), because they commissioned Fosik’s art for their latest album, “The Hunter”:

Artist: flickr / website

(via: hifructose)

♥ ♥ ♥ ♥ ♥ ♥ best fuckin show!

(Source: earth-song, via jessiemonster)

heracliteanfire:

London’s Tramways to Central London, Harold McCready, 1930 (via Creative Review - Mind The Map)

heracliteanfire:

London’s Tramways to Central London, Harold McCready, 1930 (via Creative Review - Mind The Map)

tuesday-johnson:

ca. 1850, [daguerreotype portrait of a carpenter/wood worker posed with tools]
via the Daguerreian Society, Leonard A. Walle Collection

tuesday-johnson:

ca. 1850, [daguerreotype portrait of a carpenter/wood worker posed with tools]

via the Daguerreian Society, Leonard A. Walle Collection

tuesday-johnson:

ca. 1850’s, [daguerreotype portrait of Indian Chief Maungwudaus, Upper Canada], Donald McDonnell
via the Nelson-Atkins Museum of Art, Photographic Collections

tuesday-johnson:

ca. 1850’s, [daguerreotype portrait of Indian Chief Maungwudaus, Upper Canada], Donald McDonnell

via the Nelson-Atkins Museum of Art, Photographic Collections

jessiemonster:

♥________♥ sweet….

unrealaorist:

dwarf japanese flying squirrels

Walt Whitman, ‘Leaves of Grass’

gingerfields:

You have not known what you are;

you have slumber’d upon yourself all your life,

Your eyelids have been the same as closed most of the time,

What you have done returns already in mockeries,

The mockeries are not you,

Underneath them and within them I see you lurk,

I pursue you where none else has pursued you… 


(Source: smokeandbone13)

Walt Whitman, ‘Leaves of Grass’

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